Showing posts with label Chris Brown. Show all posts
Showing posts with label Chris Brown. Show all posts

Thursday, December 1, 2011

Analyze This: "All Back" by Chris Brown

By J9 of J9's MusicLife


Analyze This:  An in depth look at the lyrical content of a song to provide insight





"All Back"


If I had the moment
I'd capture that moment
You would be right here next to me
If I had the secret,
The secret to your love
I would place the treasure beneath my heart
Lock it all up,
And throw away the key
I would never give it up
Cause I was just a fool,
A fool for you
When I loved you so childishly

Chorus:  
And I want it all back
I want it all, I want it all,
I want it all back
I want it all back,
I want it all, I want it all
Girl I want it all
You never miss a good thing 'til it's gone,
I want it all, now I want it all (back)

If there is a green light
And it starts to turn yellow
Pedal to the floor,
Cause I know your heart is turning red,
If I had the minutes, I would turn 'em into hours
And make love to your mind not your body instead
I was just a fool, a fool for you
That didn’t know what I had until I lost you
Every single moment
That you’re not here
It's evident to me that everything just seems so clear

Chorus

Now everything isn’t everything
If everything, everything isn’t with you
And I want it all back
I want it all, I want it all, I want it all back
I want it all back, I want it all, I want it all
Girl I want it all
You never miss a good thing 'til it's gone,
I want it all, now I want it all.
Now I want it all back
Now I want it all back
Now I want it all back

J9's Analysis:  This is one of my favorite tracks of his album.  The song is so sincere, raw, and emotional.  The lyrics of the songs makes you wonder if it's meant for Rihanna.  I mean it makes sense. . . CB sings about regretting what he's done and desperately wanted to re-do the damage done to have that relationship back.  “You never miss a good thing, til it’s gone”. .  everyone knows this line all too well and if this is about RiRi, CB is probably punishing himself for ruining their relationship and losing a good girl (that apparently has gone bad, or should I saw naughty, especially in her new album Talk That Talk).  

CB’s delivery of the song is so heartfelt.  You can feel the pain and regret he feels as his pours his heart out.  Many things that he points out can apply to anybody.  He talks about loving so childishly, something that happens way too often when you make stupid mistakes due to immaturity and don’t realize what you did until you grow older and wiser.


To read the rest of the post, click here.

Thursday, August 4, 2011

YouTube Helps Aspiring Artists Get Discovered

By J9 of J9's MusicLife


Earlier in the year, everybody was talking about this unknown white dude from Detroit named Danny Vola who uploaded an acoustic cover of Waka Flocka's No Hands on YouTube.  Before actually hearing it, one would probably assume this was a joke and wonder how could anybody turn a Waka song into an acoustic song.  Well to people's surprise, Danny actually did a decent job putting his own interpretation to the rap hit.




This clip now has over 2 million hits and Danny has appeared on several radio and TV shows as well as even performed with Waka and Wale.  Danny released this song on a mixtape in December that features other rap covers like Black and Yellow by Wiz Khalifa.  Click here to view his official page and check out other performances.

Then in April, Boston musicians Nick Noonan and Amy Heidemann, known as Karmin entered the YouTube spotlight with their rendition of Chris Brown's Look At Me Now.  But what got me and many others was Amy's ability to clearly articulate Busta's fast paced lyrical verse with such ease. . .she killed it!  Due to this instant stardom they've appeared on The Ellen Show and performed with The Roots.  Their clip received 3 million hits in less than a week and now has over 29 million.


 


Click here to learn more about the duo and hear other covers like Someone Like You (Adele), Grenade (Bruno Mars), Whip My Hair (Willow Smith).


To read the full post, click here.

Tuesday, June 7, 2011

Rihanna's 'Man Down' Video: Experts Weigh In On Controversy


By Gil Kaufman

Like any good piece of art, Rihanna's controversial "Man Down" video has elicited a wide variety of opinions, running the gamut from condemnation for its bloodshed to praise for its attempt to grapple with the complex issue of violence against women

"It strikes me first and foremost that she is working out personal issues through her art," said Terry O'Neill, national president of the National Organization for Women, who lauded the singer's talent and stressed that she did not find the video exploitive at all.

A number of groups slammed the clip after its premiere, taking issue with the opening scene, in which a hidden Rihanna is shown shooting an unarmed man in the back of the head in the middle of a crowded train station. Viewers later learn that the act was in retaliation for a previous sexual assault.

" 'Man Down' is an inexcusable, shock-only, shoot-and-kill theme song," said Industry Ears co-founder Paul Porter, a former programming director at BET, where the video debuted earlier this week and remains in rotation.



But O'Neill said that like Rihanna's collaboration with Eminem on the "Love the Way You Lie" video — which also tackled issues of domestic abuse — "Man Down" is another example of Rihanna "trying to grapple with the multifaceted nature of violence against women as an artist. Obviously violence is not the way to solve anything and both videos depict violence. In one, it's a man who feels justified in committing violence against a woman and in the other a woman who feels instantly very remorseful in her killing." For O'Neill, "Man Down" does not cross the line into portraying violence in an effort to titillate.

"One of the main messages it leaves you with is violence breeds more violence and everyone can see that and also detect some problems with that," said Stephanie Nilva, Executive Director of Day One, New York's leading teen relationship abuse-focused organization. "I respect the fact that Rihanna is trying to draw attention to these issues, but I don't think viewers are necessarily getting healthy messages from it."

Another concern for Nilva, given the implied sexual abuse in the clip, is the underlying impression that young women who dress a certain way or go dancing in clubs are naive or should feel at risk. That too, she said, sends a muddled message about sexual assault. "What it doesn't do is open up a discussion about how men's violence is frequently about controlling women and not about violence they've experienced at that person's hands," she said.

After posting a defense of the clip, Rihanna got plenty of support from her fans on Twitter, where the comments included such sentiments as "it's really ironic how women r always exploited n videos ... we watch women be raped & murdered. Now a woman flips the coin & look!"

Another fan wrote, "You opened the eyes of all women living under a dark cloud that needed a voice. 'Man Down' is the voice. I love you." Others called it "inspiring" and praised Rihanna for tackling the issue of sexual abuse, writing, " 'Man Down' video portrays REAL situations that can happen to ANYONE! Do yoo thing ri!" Rihanna also pleaded with her fans to stop making threats against members of the PTC, writing, "We love it, they don't ... that is all, and the world keeps turning."

Given the message of empowerment some of Rihanna's fans appear to have taken from the video, Nilva noted that one of the messages Day One imparts to young people is that violence is never appropriate. "I wouldn't say that perpetrating violence against someone is a form of empowerment, just like you wouldn't say a man raping a woman is a form of empowerment," she said. "It's a complicated message to get young people to absorb that — what it means to be an empowered person — and it would be nice to see more images of strength that are not about exercising violence or power over other people."

As a survivor of relationship violence at the hands of her ex, Chris Brown, Nilva said the singer is clearly under the microscope when it comes to this topic. But given that people are likely to pay more attention to what she has to say about it because of her fame and the notoriety surrounding Brown's 2009 assault, Nilva said it would be preferable to see a more positive message from Rihanna on the topic.

O'Neill said she's confident that Rihanna's fans will understand the message of the clip because any woman who has experienced violence from a partner or acquaintance knows that among the emotions you feel in addition to anger and rage are humiliation and fear and a desire for revenge.

"Many women who have experienced violence, of course, have those feelings and this video seems to be a fictional portrayal of those feelings and is not intended to be instructional," O'Neill said, calling it a kind of catharsis for viewers. "The other aspect that is part of the message is the fact that if you act on your desire to kill this rapist, you will then throw yourself down the rabbit hole of remorse and criminal accountability and be sent to prison. There are repercussions and the video clearly says that."

At press time, MTV's Facebook poll asking whether the video goes too far had the "no" votes leading the "yes" votes by a margin of three-to-one.

Do you think Rihanna's "Man Down" video goes too far? Cast your vote in our Facebook poll and share your thoughts in the comments below.

Thursday, April 7, 2011

I love me some Rihanna!

Photograph by Mark Seliger for rollingstone.com
By Rolling Stone
March 30, 2011 8:00 AM ET
Watch Rihanna answer fan questions at her hot Rolling Stone cover shoot below.
The new issue of Rolling Stone – on stands and online in the digital archive on April 1 (subscription required) – features a deep interview with Rihanna in which she talks to contributing editor Josh Eells about her difficult upbringing, the endless rumors about her relationships and why she agreed to let a judge ease the restraining order against Chris Brown. "That's my decision," she says. "It doesn't mean we're gonna make up, or even talk again. It just means I didn't want to object to the judge."
She hasn't heard from Brown in a very long time. "We don't have to talk ever again in my life," she says. "I just didn't want to make it more difficult for him professionally. What he did was a personal thing – it had nothing to do with his career. Saying he has to be a hundred feet away from me, he can't perform at awards shows – that definitely made it difficult for him."
Other highlights from the story:
• She went through an incredibly difficult time after the Brown incident. "I put my guard up so hard," she says. "I didn't want people to see me cry. I didn't want people to feel bad for me. It was a very vulnerable time in my life, and I refused to let that be the image. I wanted them to see me as, 'I'm fine, I'm tough.' I put that up until it felt real."
• Rihanna's hit single "S&M" is semi-autobiographical. "Being submissive in the bedroom is really fun," she says. "You get to be a little lady, to have somebody be macho and in charge of your shit. That's fun to me...I like to be spanked. Being tied up is fun. I like to keep it spontaneous. Sometimes whips and chains can be overly planned – you gotta stop, get the whip from the drawer downstairs. I'd rather have him use his hands."
• Next May she's going to play a Navy weapons expert in the big-screen adaptation of the classic board game Battleship. She spent three months filming in Baton Rouge and Hawaii, including many 18-hour days on a barge with 350 people – and just one outhouse bathroom between them. "There were times I would walk up to her like, 'Are you really handling this?'" says Battleship director Peter Berg. "She would just laugh at me. She said she was really enjoying not having to drive the ship - not having to be running this huge Rihanna machine."

Thursday, January 6, 2011

Analyze This: "Get Back Up" by T.I. feat. Chris Brown

Analyze This:  An in depth look at the lyrical content of a song to provide insight

By J9 of J9's MusicLife




Lyrics




J9's Analysis:  In this song, T.I. addresses his critics, fans, and haters.  It's his redemption song and explains how one must learn from his/her mistakes and get back up.  How interesting for T.I. to add Chris Brown on this track as Chris has also made his share of mistakes and seeks his own redemption.  It's ironic how in the song, T.I. apologizes to his fans and friends and says he won't take them down this road again, but the day this song was released, he was sentenced back to prison.

He uses his own experiences to give some life lessons.  When you're on top of your game, everybody is in your corner but the minute you fall, instead of being in your corner those same folks will talk about you behind your back.  There's always going to be obstacles put in your way but it's up to you to rise above them.  T.I. says no matter the odds put against him, he will prevail.

To continue reading, click here.

Monday, March 15, 2010

Help Begging Brother Chris Brown Out


Chris Brown has begged his fans to help make him "relevant" again.

The R&B star was sentenced to five years' probation and six months' community labour after he admitting punching, biting and choking his ex-girlfriend Rihanna in a car in February 2009. He was also barred from contacting the singer for five years and told to attend domestic violence classes for 52 weeks.

Since the assault Chris' career has plummeted. He struggled to fill venues when playing a series of shows last year, and lashed out at the industry on his Twitter page claiming stores weren't even stocking his new record.

The 20-year-old has now recorded a message for his fans on SayNow.com, a website which lets artists speak to those who follow them. "Hey what's up y'all it's CB. Um... well I ain't ever really did this but right now I just need all of my fans' help. I need all of the fans I have, I need your help," he says. "It's crazy because a lot of radio stations aren't playing my records. They're not being as supportive - and I wouldn't expect them too. But, in everything you guys do you have the power to bring me back because that's all I need. You guys, no one else can do that expect the fans."

Chris explains he has done everything he can to try and kick-start his career, and doesn't know what other steps he can take. He insists he is only in the industry for his fans, and hopes they can help him

"I don't know what else to say, there's nothing else I can do, I'm doing everything I need to do. I'm a better guy. But it's on ya'll because my singing and my music, I do it all for y'all and the love and everything else," he says. "But it won't be possible if I'm not relevant on the radio and it won't be possible for me to be an artist if I don't get support from people who give artists as outlet. I can't be an underground mix-tape artist! And so, that's where we are. I just want all my fans to help me. I love you, peace."

What I find ironic about the story is I recently was thinking about how Chris’ career was entering “Shitville” and if I were his manger I would not have advised him to release an album so soon. He should have spent his time this past year speaking with other young men his age who have been charged with similar crimes and doing other community service projects outside of what he was required to do. Now is the time to save face without throwing it up in everyone’s face what you are doing. We don’t need you tell us you have done all you can do or point out every good deed you have done since last February, did you really think that you would survive the punishment so easy? All I can say is Chris I hope you made decent grades in high school, because you may need to apply for college so that you can have a degree to fall back on. It appears that your career is a wrap!

Friday, November 13, 2009

Is Rihanna's "Rated R" Worth The Hype?




Right now, all eyes are set on Rihanna. Media, bloggers, fans and critics around the world have given much of their attention to the international pop singer from Barbados as she prepares for the release of her fourth studio album Rated R.



As the Rated R U.S. release date [November 23] draws near, Rihanna, born Robyn Rihanna Fenty, has been photographed and made the top subject of interest more than any celebrity in recent weeks. From her envelope-pushing red carpet high-fashions and

ever-changing hairstyles, many critics have applauded her "comeback" as an ascension to "the hottest chick in the game" title. However, many more have commented about her first interview regarding the February 2009 incident where the world felt sorry for an abused and battered Rihanna by the hands of her on-and-off again boyfriend R&B crooner Chris Brown. Rihanna's "20/20" interview with Diane Sawyer drew top-rating viewership numbers as did the repost videos on hundreds of blog sites.



Publicity over a celebrated music artist's personal matters and public appearances guarantees a great amount of anticipation for a new project. However, the performer's music must equally draw or succeed the general press attention to ensure sales of new albums, singles and concert tickets. After the global breakthrough success of her 2007 album Good Girl Gone Bad, the pressure must be heavy for Rihanna and Def Jam [the record label] to guarantee that Rated R

prolongs the momentum of success.



So far, five recorded songs have been leaked from the Rated R sessions. According to the finalized track, "Bubble Pop," an electro-pop dance tune that samples heavily on the classic house single "Good Life" by Inner City, did not make the cut. Notwithstanding, "Pop" has the potential of being a clubhouse classic. The haunting pop ballad "Russian Roulette," the album's first single made the top ten in pop charts in a few countries despite the controversy over its title and precarious lyrics. "Hard" positions itself as the second single to the delight of R&B listeners whose markets do enjoy as much of Rihanna's tunes as pop radio. Featuring Atlanta rapper Young Jeezy, the tune is the first single for the young diva that sound entirely like a R&B record versus pop. While "Wait Your Turn (The Wait Is Ova)" is the buzz track from the album, the newly leaked "Cold Case Love" reaped much approval from critics and fans alike. Though it sounds like an autobiographic tune regarding her much publicized incident with Brown, the epic ballad produced and written by Justin Timberlake stands out as a favorite from Rated R showing that Rihanna's vocal abilities can handle big ballads despite dismissed as not a good singer as her contemporaries Beyoncé and Mary J. Blige.



The five leaked tunes suggests that Rated R will take a similar direction of its predecessor by having a smörgåsbord of sound without any two songs sounding similar regardless of

producers. All songs are hit-worthy. The difference lies in the artistic direction. Good Girl Gone Bad contained obvious pop hit that played safe with no new sounds. The new album pushes the boundaries wide open leading the Bajan beauty in new music territory with theatrical
musical backdrops and epic production that has not been heard of regularly since the early 1990's. The test occurs in a couple weeks. Will Rihanna's fans and music listeners will get the genius of Rated R, or will it be ahead of its time?



Listen to these leaked tracks and judge for yourself.




"Bubble Pop"




"Cold Case Love"




"Russian Roulette"




"Wait Your Turn (The Wait Is Ova)"




"Hard" (featuring Young Jeezy)

Monday, November 9, 2009

F Love: Rihanna and Chris Brown Recap


So all the buzz this entire weekend has been about the "Domestic Violence" that took place between Chris Brown and Rihanna. Take a look at what I had to say and if you missed their individual interviews here are the first parts just for you so you can dish too!





Yes the sync is off, but the info is good... Get into my words and leave your comments!






Tuesday, August 11, 2009

Calling for a Life Line for Vibe Magazine

Owners of Uptown Aim to Acquire Shuttered Title From Capital Source
by Nat Ives

NEW YORK (AdAge.com) -- The owners of Uptown magazine, including former Vibe Group Publisher Leonard Burnett Jr., are said to be near a deal to acquire the Vibe brand from CapitalSource, the major debt holder at Vibe when Wicks Group announced its shutdown in June.

Wicks Group paid about $35 million, with financing from CapitalSource, to buy Vibe in 2006. And since the magazine's shutdown, executives close to the matter said, CapitalSource has been trying to recoup some of the unrecovered debt by accepting offers from potential buyers.

A spokesman for CapitalSource didn't respond to voicemails and e-mails seeking comment. Wicks Group declined to comment. A spokeswoman for Uptown declined to comment.
It's unclear what Uptown has planned for Vibe if the deal goes through, whether Vibe will return to print and how often it will publish, for example, or whether it will return as an online-only brand.

In any case, however, Vibe's resurrection would be welcome news not only for its fans but for the magazine industry, which has said goodbye to many titles as recession exacerbated the challenges posed by a changing media business.


~ ~ ~ UPDATE: Hours after the story was reported, Uptown and its private equity backer, InterMedia Partners, said they had completed a deal to buy Vibe.

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