Showing posts with label Rapper. Show all posts
Showing posts with label Rapper. Show all posts

Tuesday, October 25, 2011

Inspired In New York Honors LEN BURNETT & DOUG E. FRESH


Inspired In New York Honors

LEN BURNETT & DOUG E. FRESH

Hosted by: CHERYL WILLS (NY 1 News Anchor)

Event Date: November 15, 2011 in NYC

LEN BURNETT, Co-CEO & Group Publisher of Uptown Media Group & Vibe Lifestyle Network and American rapper, record producer, and beat box legend DOUG E. FRESH are being honored by INSPIRED IN NEW YORK on November 15, 2011 at Tian at the Riverbank in Harlem, NY. Attendance is by INVITE ONLY.

Len Burnett & Doug E. Fresh were both chosen to be honored by The Honorable Senator Bill Perkins due to their many years as innovators and trendsetters in the Music and Publishing Industries. Both honorees will receive a proclamation from New York for their contributions in the fields of media, arts and entertainment.

The crème de la crème of the entertainment industry will be in attendance to support and honor these trendsetters and innovators on their very special day. Special gifts and door prizes courtesy of Seven Brown, Owner of Harlem Skin Clinic www.harlemskinclinic.com and the Power of One Harlem Rewards Card for $1.00 you will be connected & save with the small businesses of Harlem.

For press inquiries and further information contact: camille@cmegrp.com.

RSVP: rsvp@cmegrp.com

Saturday, September 10, 2011

'The Game' Says There are 'Several' Closeted Rappers, Tells them to 'Be Gay and Proud': VIDEO


Rapper The Game spoke with VLAD TV about closeted rappers in the hip-hop industry

ARE YOU A MAN FAN?

Says the rapper:

"I don’t have a problem with gay people. Like, Beyoncé should’ve said, ‘Who run the world? Gays,’ because they’re everywhere and rightfully so. Do you. It’s a free country. Be gay, you can do that...Game don’t have a problem with gay people. Game has problem with people who are pretending not to be gay...The number one issue with that is that you could be fooling somebody and you could give them AIDS and they can die and so that in the closet shit is real scary. So, we’ve got to get into the real seriousness of it and it’s just not fair to other people..."

Adds The Game:

"It's not cool to be in the closet. If you gay, just say you gay. Be gay and be proud.”

Watch, AFTER THE JUMP...

In 2006, The Game was criticized for remarks he made on DJ Jo Whiley's radio show when he referred to gay men as "faggots" and "not real men".

At the time the BBC decided not to take action against Whiley because she made a 'sincere, full and swift' apology and distanced herself and the network from The Game's comments, according to WENN. The BBC also said that it would not deny The Game future interviews: "The BBC does not ban artists, but we do have editorial guidelines making clear that we do not condone homophobic comments or bad language, which all artists are expected to follow when they are on air during a live interview."



Tuesday, August 30, 2011

Black Buying Power: Watch Where You Spend Your Money


Most big advertisers don’t respect the African American consumer

By David Alexander, Special to the NNPA from Our Weekly –

How much do most big corporate advertisers respect the African American consumer—25 percent, 15 percent, 5 percent, or one percent?

If you guessed one percent you were wrong. It’s less than that—.68 percent, to be exact.


Of the $263.7 billion spent annually on advertising within the nation, less that one percent is used to target African American consumers, despite the fact that Black buying power is estimated at around $857 billion, according to the 2010 census.

Ken Smikle of Target Market News notes that “the largest single investment corporate America makes is advertising,” but only a trickle is spent targeting African American consumers, a group that has been and continues to be underestimated, underserved, disrespected and misunderstood.

Pepper Miller, co-founder of the Hunter-Miller Group, a multicultural marketing firm, and co-author of the book “What’s Black About It?” explains that one of the most common misperceptions advertisers have is that mainstream publications will reach all possible consumers. Since most African Americans speak English, they generalize, there is no need to market outside of the mainstream publications.

“Marketing is about segmentation, diversity and understanding who your customers are,” counters Miller, who has devoted many years to the field of diverse marketing. But why do advertisers feel that way when these facts are taught in most marketing classes, and when it is known that most African Americans generally distrust the mainstream media?

A 2008 study by Radio One entitled “Understanding Black America” revealed that only 13 percent of African Americans trust the mainstream media, and out of 29 million Blacks, only 2 million can be reached through mainstream publications.

In fact, there is a long history of corporations and organizations using Black newspapers for free press exposure while committing only a paltry amount of their vast advertising budgets to support the same papers that have opened up valuable editorial space to them.

A similar type criticism was lodged against Toyota by the National Newspaper Publishers Association (NNPA) earlier this year. The NNPA alleged that when Toyota’s image was hurt by devastating recalls a couple of years earlier, the Japanese car maker sought help from the Black press to restore the brand’s image and to encourage African American loyalty. The NNPA charged that Blacks stood by Toyota to the tune of $2.2 billion. However, in its $1.6 billion 2011 advertising budget, Toyota allocated only $20 million to be shared by all African American media, including newspapers, radio and television. And when Toyota ran ads thanking American consumers for remaining loyal, none of the thank-you ads ran in the African American press.

R.L. Polk & Co., an automotive marketing research firm, says African American consumers represent almost 10 percent of Toyota’s U.S. market share, with 15 out of every 100 automobile purchases by African Americans being a Toyota-made automobile.

Unfortunately, the slighting of African American media is a problem even among Black advertisers. The NAACP, the oldest and largest of civil rights organizations, ignored Black publications in advertising its annual Image Awards extravaganza. When doling out its advertising dollars for the event, the organization chose to utilize only mainstream publications. As a result, NAACP president and CEO Benjamin Todd Jealous was the target of much criticism from the Black press. Jealous claimed it was a “grave” oversight. “I am very sensitive to the need to support Black community newspapers. They are the only way to assure Black readers in a given community that you actually want your ads to reach them directly,” he said in response to the criticism.

This questionable marketing practice is also occurring in the music industry, where there are multitudes of African American performers. Despite this fact, the industry has invested few ad dollars targeting African American consumers.

This is occurring at a time when African American businesses and workers are hardest hit by unemployment and the ever-tightening economy.

Many executives in the movie industry are guilty of a similar myopia. They have operated on the assumption that African Americans will not attend a movie that does not have an African American lead and/or cast. However, a study conducted by BET this year revealed that 81 percent of movies seen by African Americans did not include an African American cast, lead actor or storyline. This same study also showed that the average African American goes to the movies 13.4 times a year in comparison to the general moviegoer who goes 11 times a year.

So the question becomes: why are these advertisers slighting their most reliable consumer?

According to a 2008 report from Packaged Facts, which publishes market intelligence on a wide range of consumer industries, Black buying power is projected to rise to about $1.1 trillion by 2012. There are currently 343,300 African American households within the United States earning $150,000 or more, as well as “819,700 individuals who earn a minimum of $75,000 per year.”

Although a number of companies have profited by marketing directly to the African American consumer, such as McDonalds, Gucci, Lexus, Lincoln, Procter & Gamble, State Farm, Infiniti, Bank of America, Wells Fargo Bank, overall most corporations and organizations have left the African American consumer out when it comes to their ad dollars.

In “Black Is the New Green,” authors Leonard Burnett Jr. and Andrea Hoffman write: “It would be foolish in the extreme not to tap into this rich buying segment, yet this is exactly what the marketing firms of companies (fail to) do all too frequently.”

Click here to read entire article: blackvoicenews.com

Tuesday, February 15, 2011

Nicki Minaj’s Branding Power Decoded


By BlackEnterprise.com

Most may view Nicki Minaj as just another rapper/singer/performer; but the multi-faceted entertainer is much more than that, she’s a bankable brand that’s only just begun to blossom. In a few short years, Nicki has influenced trends through her music and unmistakable fashion sense, and her involvement in cosmetics, television, hair and even the floral industry (Nicki has exclusive pink collection bouquets available on flowers.com for Valentine’s Day) has helped spike sales and visibility for a number of ancillary brands. Whether her detractors like it or not, Ms. Minaj is a one-woman marketing guru. BlackEnterprise.com takes a look at some of the brands the young starlet has—directly or indirectly—helped bolster by association.

Tuesday, November 16, 2010

PepsiMax/Coke Skirmish Now Involves Snoop Dogg



Hip Hop culture is here to stay... It's Big Business you know. Though they basically rehashed BBDO’s
15-year-old concept, TBWA\Chiat\Day LA is tweaking the storyline involving PepsiMax guy and Coke guy with the addition of Snoop Dogg, who shows up at the end of this spot called “Display King” to put the latter deliveryman in his place. If only a trip to the grocery store was this exciting… Bryn't your next, Right?



Friday, June 18, 2010

Kool Moe Dee Assumes New Role as Digital Content Guru


Kool Moe Dee, he of "Wild Wild West" fame, has now taken on a new persona: Dr. Media, a character that's part of this sometimes painful to watch group therapy session with characters playing Publishing, Hollywood and Network Television. The three are all freaking out about sustaining relevancy in the digital space, but somehow discussing Ashton Kutcher and getting a verse from the doc himself seems to put them all at ease. Or at least that's we gather since we couldn't help but fast-forward a few times.

This effort is brought to you by SoHo agency Barker/DZP it appears and is for NYU Stern's weeklong "Digital Transformation of the Entertainment and Media Industries" seminar. We think Kool Moe Dee would be better served just reviving his feud with LL Cool J at this point.

Tuesday, March 2, 2010

K’naan T.I.A.

T.I.A. – This Is Africa!

My brothers and sisters, life is too short for stress. So relax your brain with some of this great great great music.


Introducing K’naan hailing from the war ridden African country of Somalia. This is one of the best “how they got there” stories around.

K’naan growing up was in one of the worst areas during the Somali civil war which started in 1991, the neighborhood was referred to as the River of Blood civilians were dying left and right. K’naan’s father had left to drive taxi cabs in NYC and was wiring the money back to the family in Somalia. As the civil war worsened K’naan’s mother applied for a visa for their family, their visa was approved on the last day the US Embassy was in existence and K’naan and his family left the country on the last commercial flight leaving the country.



K’naan real name Kanaan Warsame

He arrived in Compton and then with his family reunited moved to a Somali sector of Canada in Toronto. Speaking absolutely no English K’naan learned how to rap by listening to artists like Mos Def and Nas copying their lyrical style and phonetic beats. A few years later he dropped out of his high school in Toronto to travel and rap at open mic events. After returning to Toronto he managed to secure a gig speaking in front of the United Nations Commissioner for refugees in whom he rapped about the UN failing to recognize the war in Somalia. His performance was seen by Senegalese Singer Youssou D’Nour who invited him to partake in his new album and travel on his world tour. K’naan obliged and on tour a small Canadian producer was blown away by the rhymes of K’naan and agreed to help the young artist produce his first album Dusty Foot Philosopher in 2005. The album somehow caught fire and K’naan, a Somali refugee who came to North America without knowing any English, worked his way to the top and released his second world recognized album earlier this year. CRAZY…. its amazing how talent finds its way to be recognized.


This is the first album from K’naan, Dusty Foot Philosopher. Some of the tracks are just simply jaw dropping. Enjoy!!!





K’naan also wrote the official song "Waving Flag" used for the 2010 World Cup in South Africa.




Monday, December 14, 2009

The Making of a King

What New York rapper is royal, empowering, majestic, and stylish? Abdul Jabbar or for us King Jabbar. This Capricorn is on a journey toward breaking into the LGBT music world as well as mainstream. I had the pleasure of sitting down talking with him about who he is and what I think he needs to do in order to get his music career on the next level.


Now a days gay celebrities are popping up everyday, in New York City alone there is a new socialite who is making a song, throwing a party, or trying to be the next big thing, however this city has only birthed a few that are mainstream gay celebrities who are creating careers that are hitting outside the 5 boroughs or the New Jersey area. What is that Maurice Jamal, XEM Van Adams, Maurice Runea, B. Scott, Bry’nt, Derrick L. Briggs, DJ Baker, or Nathan H. Williams are doing? The formula is really simple they are hot and they are promoting themselves. My entertainment Mantra has always been “If you cannot sell yourself, no one else will and this is very important to break into any industry. As for King Jabbar he is halfway there, he has the talent, style, charisma, looks, now we have to get him his crown, you cannot be royalty with out your crown.




When you talk to King Jabbar you don’t get rapper instantly, you would think that this rapper would be a neo soul artist who would meditate in the middle of central park with a tribe. He is just so spiritual and down to earth, which is why he credits Eryka Baydu as his influence. Being into numerology, astrology, oils, and keeping your aura in white light is what keeps King Jabbar grounded in his quest for stardom. King Jabbar has always wanted to be in the music business, because he loves entertainment, he briefly modeled in the past; however stopped once it took away from his relationship with others and his music. It is no surprise that he was apart of fashion, because he and Grace Jones could be best friends when it comes down to his fashion sense and his addiction to Soho (must see shopping area in NYC). With his seducing eyes, sense of style, and his attitude toward thought before expression he has several tools that will get him far.

As King Jabbar sat in a huge chair facing me, I felt like a king was looking right through me. Although I was conducting the talk, I sensed some aggressiveness within him. That’s when romance came up, I was very intrigued with how King Jabbar felt toward romance and where did that fall in his life as of now, as King Jabbar went through a list of all his goals that he has planned for the next year (an album and mix tape included) I learned that love right now was not a priority; however a supportive friend who can bring something to the table is always accepted and in doing so safer sex practices are a must. He is very passionate about our community protecting ourselves and thinking prior to your actions. When he is in a relationship though this shy Capricorn may be a little more aggressive than passive, just don’t expect for him to make the first move.

When you want to catch this up and comer you better hope to catch him shopping in Soho or a Friday night (his favorite day of the week), cause other times he is working on his passion “music”. When asked who you could compare yourself to, he responds not really anyone (they all say that), yet if you are a Busta Rymes, Andre 3000, or Shaggy Fan, this is the LGBT artist you want to get into… A king is born! Check him out and leave a comment, tell The FUTURE what you think!
KING JABBAR MUSIC HERE

Thursday, September 3, 2009

It's Audition Time at The APOLLO: 75th ANNIVERSARY






The world famous Apollo Theater will hold open auditions for Amateur Night in both
New York and Atlanta! The audition is open to singers, dancers, comedians and musicians of all ages and musical styles.

AMATEUR NIGHT OPEN AUDITIONS IN ATLANTA
Date: October 10, 2009 from 10am to 6pm Where: Rialto Center for the Arts - Georgia State University – 80 Forsyth Street, NW - Atlanta, GA 30303
Come Early!!! - Only the first 300 acts will be seen in Atlanta!


AMATEUR NIGHT OPEN AUDITIONS IN NY
Dates: October 17th & 18th from 10am to 6pm each day Where: The World Famous Apollo Theater – 253 West 125th Street - New York City Apollo Theater Soundstage (3rd floor).

PLEASE NOTE: We will see the first 600 people over the span of two days (October 17th & 18th) at a maximum of 300 people each day. We will give out as many numbers as possible on the 1st day (October 17th). If we reach a total of 600 people on the first day, we will not give out any additional numbers on the 2nd day (October 18th).
  • Each contestant will have up to 90 seconds to audition.
  • Singers can bring a track or sing a cappella. We will NOT have a band in house.
  • Musicians should bring their own instruments.
  • Dancers should bring a cassette or CD for their performance.
  • All auditions should be in good taste and with no profanity.
  • Children under 18 must be accompanied by an adult
For more information, please call our Amateur Night Hotline (212) 531-5370.


APOLLO AMATEUR NIGHT ANNOUNCES A NEW GRAND PRIZE OF TEN THOUSAND DOLLARS FOR THE 2010 75th ANNIVERSARY SEASON!

Since 1934, aspiring artists and performers have graced the stage of the Apollo Theater hoping the
approval of the infamous audience will launch their entertainment careers. Apollo Amateur Night has
been home to an impressive, ever-expanding roster of world class talent including Ella Fitzgerald, Sarah Vaughan, Billie Holiday, James Brown, Ben E. King, Jackie Wilson, The Isley Brothers, Luther Vandross, Michael Jackson and the Jackson 5, Fat Joe, Lauryn Hill, Dru Hill, Blu Cantrell and many
others.


The Apollo Theater Foundation, Inc., is a 501(c)(3) not-for-profit corporation dedicated to preserving and developing the Apollo
Theater and its initiatives for performing artists, educational programs, and community outreach efforts in New York City and
beyond.
Sponsored by the Coca-Cola Company

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