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By David Alexander, Special to the NNPA from Our Weekly –
How much do most big corporate advertisers respect the African American consumer—25 percent, 15 percent, 5 percent, or one percent?
If you guessed one percent you were wrong. It’s less than that—.68 percent, to be exact.
Ken Smikle of Target Market News notes that “the largest single investment corporate America makes is advertising,” but only a trickle is spent targeting African American consumers, a group that has been and continues to be underestimated, underserved, disrespected and misunderstood.
Pepper Miller, co-founder of the Hunter-Miller Group, a multicultural marketing firm, and co-author of the book “What’s Black About It?” explains that one of the most common misperceptions advertisers have is that mainstream publications will reach all possible consumers. Since most African Americans speak English, they generalize, there is no need to market outside of the mainstream publications.
“Marketing is about segmentation, diversity and understanding who your customers are,” counters Miller, who has devoted many years to the field of diverse marketing. But why do advertisers feel that way when these facts are taught in most marketing classes, and when it is known that most African Americans generally distrust the mainstream media?
A 2008 study by Radio One entitled “Understanding Black America” revealed that only 13 percent of African Americans trust the mainstream media, and out of 29 million Blacks, only 2 million can be reached through mainstream publications.
In fact, there is a long history of corporations and organizations using Black newspapers for free press exposure while committing only a paltry amount of their vast advertising budgets to support the same papers that have opened up valuable editorial space to them.
A similar type criticism was lodged against Toyota by the National Newspaper Publishers Association (NNPA) earlier this year. The NNPA alleged that when Toyota’s image was hurt by devastating recalls a couple of years earlier, the Japanese car maker sought help from the Black press to restore the brand’s image and to encourage African American loyalty. The NNPA charged that Blacks stood by Toyota to the tune of $2.2 billion. However, in its $1.6 billion 2011 advertising budget, Toyota allocated only $20 million to be shared by all African American media, including newspapers, radio and television. And when Toyota ran ads thanking American consumers for remaining loyal, none of the thank-you ads ran in the African American press.
R.L. Polk & Co., an automotive marketing research firm, says African American consumers represent almost 10 percent of Toyota’s U.S. market share, with 15 out of every 100 automobile purchases by African Americans being a Toyota-made automobile.
Unfortunately, the slighting of African American media is a problem even among Black advertisers. The NAACP, the oldest and largest of civil rights organizations, ignored Black publications in advertising its annual Image Awards extravaganza. When doling out its advertising dollars for the event, the organization chose to utilize only mainstream publications. As a result, NAACP president and CEO Benjamin Todd Jealous was the target of much criticism from the Black press. Jealous claimed it was a “grave” oversight. “I am very sensitive to the need to support Black community newspapers. They are the only way to assure Black readers in a given community that you actually want your ads to reach them directly,” he said in response to the criticism.
This questionable marketing practice is also occurring in the music industry, where there are multitudes of African American performers. Despite this fact, the industry has invested few ad dollars targeting African American consumers.
This is occurring at a time when African American businesses and workers are hardest hit by unemployment and the ever-tightening economy.
Many executives in the movie industry are guilty of a similar myopia. They have operated on the assumption that African Americans will not attend a movie that does not have an African American lead and/or cast. However, a study conducted by BET this year revealed that 81 percent of movies seen by African Americans did not include an African American cast, lead actor or storyline. This same study also showed that the average African American goes to the movies 13.4 times a year in comparison to the general moviegoer who goes 11 times a year.
So the question becomes: why are these advertisers slighting their most reliable consumer?
According to a 2008 report from Packaged Facts, which publishes market intelligence on a wide range of consumer industries, Black buying power is projected to rise to about $1.1 trillion by 2012. There are currently 343,300 African American households within the United States earning $150,000 or more, as well as “819,700 individuals who earn a minimum of $75,000 per year.”
Although a number of companies have profited by marketing directly to the African American consumer, such as McDonalds, Gucci, Lexus, Lincoln, Procter & Gamble, State Farm, Infiniti, Bank of America, Wells Fargo Bank, overall most corporations and organizations have left the African American consumer out when it comes to their ad dollars.
In “Black Is the New Green,” authors Leonard Burnett Jr. and Andrea Hoffman write: “It would be foolish in the extreme not to tap into this rich buying segment, yet this is exactly what the marketing firms of companies (fail to) do all too frequently.”
Click here to read entire article: blackvoicenews.com
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About Tammy Peay
Tammy Peay is known on the comedy scene as "Ms. Peay". Growing up in a large family, Ms Peay exhibited her talent as a comedian very early. Well timed "snaps and jokes" which kept her friends and family laughing Ms. Peay has performed at some of the hottest New York venues: Don't Tell Mamas, The Cutting Room, Comedy Cellar, Caroline's, Gotham Comedy Club, New York Club, Stand Up New York, Brooklyn Brewery, Joe's Pub, Boston Comedy Club, Uptown Comedy Club, Colleges all over the East Coast.
Makeup lovers have been buzzing this week over the big news — venerable cosmetics brand Fashion Fair has hired legendary makeup artist Sam Fine to be their creative makeup director.
Photo above and info below via WWD:
“Fashion Fair Cosmetics has appointed celebrity makeup artist Sam Fine as its creative makeup director. The Chicago-based prestige cosmetics brand for women of color is tapping Fine, a 20-year industry veteran, to bring his experience with the fashion editorial world, global beauty brands and celebrities to Fashion Fair’s consumers. Fine will also advise on the creation of new products and, in 2012, Fashion Fair will unveil Sam Fine for Fashion Fair trend collections.”
I literally gasped and clutched at pearls I wasn’t even wearing when I read the news. Fresh life hs been brought to the Fashion Fair brand and I’m truly excited to see what this brings. I hope this brings big, exciting change for Fashion Fair, for the beauty scene in Chicago, and for we, the consumers.
I hope that Sam truly gets to execute his vision as he sees it, because I KNOW whatever it is, it’s an awesome vision. I’m psyched to see some true innovation coming from a brand that has been a favorite in my family through the generations.
When I think Fashion Fair, I think of classic cosmetics. Those beautiful vintage ads. Pink marbled packaging. Vantex. I also think of a very finite range of colors in terms of eye and lip cosmetics. So I hope this means Fashion Fair steps up and truly becomes a brand that younger women of color can look to as a trendsetter at the department store counters.
I hope to see the brand stepping away from the traditional coppers and browns and bronzes and moving towards some truly HOT new shades of eye and lip colors. I’m hoping to see lighter blends of foundation in a wider range of shades. I’m expecting awesomeness. And I am SUPER excited for Sam, because he is just all around a great guy.
What do you think, bellas? What do you hope to see from the new Sam Fine for Fashion Fair collections?
As of 5 a.m. Eastern time, Irene was 420 miles from Cape Hatteras, N.C., with sustained winds of 110 mph, making it a Category 2 hurricane, according to a National Hurricane Center bulletin issued early today.
The storm will lumber north today at 14 mph, well off the Florida coast, then arrive in North Carolina Saturday as a Category 2 or Category 3 hurricane. From there, it is expected to head toward the Chesapeake Bay and Pennsylvania's Delmarva Coast, according to AccuWeather.com. By Sunday it could pass within 30 miles of New York City, still at Category 2 strength.
PHOTOS: In the path of Hurricane Irene
In North Carolina, where thousands of evacuating vacationers and locals have been clogging roads, the latest predictions show the storm moving in such a way that the right front portion of the storm, usually the most destructive, will hit barrier islands, with the storm's center heading farther inland than previously predicted, the Raleigh News & Observer reports.
"The worst surge is just to the right of the track, so maybe now we're looking at more storm surge impacts from Cape Lookout up to the Albemarle Sound," Nick Petro, a National Weather Service Meteorologist, told the paper. "And we could see as much as 3, 4 or even 5 inches of rain along the Interstate 95 corridor."
Federal officials issued a hurricane watch early Friday from north of Sandy Hook, N.J. to the mouth of the Merrimack River, an area that includes Long Island, Nantucket and Martha's Vineyard, where President Obama and his family are vacationing.
Obama and his entourage remained on the island Thursday, even as others headed to the mainland for safety, the Boston Herald reported. While emergency officials held meeting after meeting to prepare for disaster, POTUS was hanging out at the private Pohogonot beach.
"The island is cranking up," Peter Martell, an emergency management director on the island, told the paper. "A hurricane is like a large gorilla. It goes wherever it wants, whenever it wants."
For Immediate Release
Tim’m West releases highly-anticipated 4th Solo Project Fly Brotha
Independence Day 2011
On July 4th 2011, the iconic, critically acclaimed, Hip-Hop artist Tim’m West released his groundbreaking, fourth solo project, Fly Brotha.
Provocative, moving, vulnerable, witty, and fun Fly Brotha is a celebration of courage needed to confront institutional barriers to personal freedom; an insistence on justice and peace in our community and world. With songs like "Good Day" that imagines a media that celebrated "good news", or "Bully" which examines the travesty of child neglect of both bullies and the bullied, Tim’m continues his legacy of telling brave truths in a Hip-Hop context which is often lacking
Social Justice messaging. There is also Tim’m’s intentional ownership as the nurturing, paternal "papa bear" of a host of emcees, straight and gay, who are collectively looking to challenge heteronormativity in Hip Hop culture, as evidenced in the Dirtybird produced intro track "The Lesson". Tim’m bravely challenges notions of street cred with tracks like Brohemian rapCD and Bro-Homo as well as with soulful Hip Hop love-ballads like Again and Carried Away.
The 14 track LP is accented by music videos 3 music videos including “Acrobatics” feat. DDm (directed by Truitt O’Neal), “Fly Brotha” (directed by David E.F.P of 2osos Productions), and “A Real Man” feat. Quentin Adams (who also directed the video). Catering to our visual culture, these music videos are elevating Tim’m’s popularity across the sexuality divide—a presence well-prepared for by Tim’m’s respective features in Hip Hop and Spoken Word documentaries: Hip Hop: Beyond Beats and Rhymes by Byron Hurt, Pick Up the Mic: the rEvolution of Homo- Hop by Alex Hinton, Graffiti Verite’ 7 by Bob Bryan, and the more recent Mario Van Peebles’ directed Bring Your ‘A’ Game which featured other Hip Hop artists such as Ice Cube, Diddy, and Lupe Fiasco.
Fly Brotha is the follow up to three previously released solo projects that include Songs from Red Dirt (2004, Cellular Records), Blakkboy Blue(s), and the 2009 release In Security: The Golden Error. Since its’ release, fans excited about the project have described Fly Brotha as Tim’m West’s best work yet.
As a seasoned lyricist, emcee, and founding member of the now defunct queer Hip-Hop group Deep Dickollective, Tim’m West hopes that Fly Brotha will help break down Hip-Hop’s closet door at a time when LGBTQ issues are at the forefront of defining what it means to be “free” and “equal” in America.
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Fly Brotha is available at Tim’m’s website www.reddirt.biz, as well as CDbaby, iTunes, Amazon.com, bandcamp.com, and various other internet music outlets.