




District 9: The Weaponry of Change
by
Jonathan Lang
South African director Neil Blomkamp’s global sci-fi sensation District 9 is gearing up for it’s second life as it moves toward the home market and inevitably does the awards circuit for its incredible special effects. Much has been made of the politics of the film; inevitable considering its brazen treatment of apartheid
and handling of some stereotypes (the depiction of Nigerians as merciless, cutthroat baddies). What is overlooked about the film is the hopeful message of integration leading to empowerment and ultimately serving as a catalyst for real change.
When we first meet Wikus Van De Merwe (played brilliantly by Sharlto Copley), he has recently been promoted and is now the charge of relocating the ‘Prawns’, crustacean-like aliens, out of the township of District 9. The District in question is unquestionably a stand-in for white-anxiety about the living conditions inside the
townships during apartheid. The Prawns are depicted as vile, feeding not only on the scraps of industrial waste, but resorting to appalling violence. They are under constant policing with captors operating under the directive to confiscate all weapons; weapons that are in fact useless without alien DNA to operate them.
Van De Merwe uncovers a shanty in which the Prawns (an invective, rather than classification of species) are creating a mysterious, black fluid. The agent accidentally ingests the toxic material. From there begins the manifestation of white-horror from this
'exposure’; Van De Merwe begins mysteriously bleeding out of his nose and his ‘otherness’ culminates in the growth of an alien-hand on his human body. His co-workers and those in his life are terrified by what he is becoming. He has been marred. What is also uncovered is the fact that the exposure has allowed Van De Merwe to effectively utilize alien weaponry; he has become empowered.
Van De Merwe has become both a possible tool to be used in war and an outcast to be detained. The fear of his integration into District 9 culminates in a concocted news broadcast that flashes he has contracted a ‘virus’ from copulating with Prawns. The dated and damaging stereotypes by white anti-apartheidists about contracting HIV through inter-racial (or inter-special) sex could not be more readily apparent.
Now that Van De Marwe is empowered with the ability to utilize alien-technology, the tools to save both himself and the Prawns are laid bare. The alien-hand has become his boon. Without detailing t
he remainder of the extended chase and the exciting, extremely violent denouement, what is notable is this: Van De Marwe forges a partnership with the Prawns after this exposure, tossing aside his clipboard and seeing the aliens as individuals as opposed to a species. He has transcended mere empathy as he can literally feel pain in this unified limb.
The film employs a veneer of the Joseph Conradesque ‘white hero as bringer of light to the ‘noble savage’ mythology firmly rooted in colonial guilt. However, upon further examination, what is both most novel and transgressive is that rather than change the aliens to empower a civilization, Van De Merwe is not only changed by them, but into them. He must incorporate their physicality in order to become heroic. It goes without saying the film is worth a rental. With an all South African cast and the film shot entirely in South Africa, the film could be a push
for the South African film economy While the film is more entertaining than transformative, it certainly heralds a shift in the global cinematic landscape of which the future of South African cinema is clearly a part.
Not-so-Secret Santas
By Jonathan Lang
Ubuntu's Communications Manager
Are you tired of grouchy sales people, losing your car in the parking lot, and listening to that Mariah Carey Christmas song for the third time while you’re standing in a ridiculous line at the register? Ubuntu Education Fund has some alternatives to bring some joy back to your holiday shopping.
Donating money in someone’s name always makes for a great gift. Besides truly being in the spirit of the holidays, it is a good way to teach children the importance of giving; a conceit that is central to the concept of ubuntu. No donation is too small. Donations can be made to Ubuntu Education Fund on their website
Ubuntu’s recent partnership with Little Passports also offers a wonderful way to educate children. Little Passports is designed for the next generation of global citizens. The company sends monthly newsletters to teach children about a country's geography, history, culture, and language in a fun and memorable way. By making the world a smaller place, you are teaching your children how their positive actions can have an impact beyond their community. They are offering a 10% discount through December 15 to all Ubuntu supporters.
For those on your list with a sweet tooth, Ubuntu’s partnership with Cranberry Island Kitchen serves up some of Maine’s most delicious deserts right to your door. Toss that bark candy and enjoy one of their homemade Whoopie Pies. If you’re going to gain that holiday weight, you may as well do it for a good cause. You can learn more about the Ubuntu partnership on Ubuntu’s website.
Show the Fashionistas in your life that social-consciousness is more than a trend. They will appreciate the opportunity to ‘floss’ for a cause. Agapantha Jewelry has handcrafted the beautiful Ubuntu Lariat specifically for Ubuntu. With 40% of sales donated to Ubuntu, the
If you’re in New York, why not do something different this year then watch the Rockettes’
While gift giving is seasonal, generosity shouldn't be. Support the Ubuntu Education Fund, an organization who practices the holiday spirit all year long.
For givenik and the Lion King page: http://www.givenik.com/show_