Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Tuesday, July 17, 2012

A Celebration of our Sons through Words and Images


OPENING ART RECEPTION
Saturday, July 21, 2012, 5pm - 8pm

A Celebration of our Sons through Words and Images is a group art exhibition by ten visual artists, inspired by author Kahlil Koromantee’s latest book release titled “Message to a Youngblood”, a guide book for young males of African descent, particularly those who society considers at risk. What began as an interest in the book’s illustrations by young artists eventually became a collective desire to not only showcase some of these amazing illustrations, but also invite established artists to share their own amazing images and interpretations of young males of African descent, capturing their determination, creativity, pride, originality, purpose and resilience.


Young Black males in New York City are in a state of emergency. Unjust stop & frisks by police, warehousing in inner-city schools, and very few training and job opportunities are leading to increased crime and very little hope for many inner-city young men. We are bombarded with negative images and stories of young Black men in the media, so this art exhibition, which includes work by young Black male artists, is an attempt to control our own script, and present these men in a positive light for a change”, says exhibiting photographer Ocean Morisset.


The exhibition, a Celebration of our Sons through Words and Images opens on Saturday July 21, 2012 with an artist reception from 5pm-8pm at the Adam Clayton Powell, Jr. Art gallery located on the 2nd floor at 163 West 125th street, east of Adam Clayton Powell, Jr. Blvd. The exhibition is on view through August 8th by appt. To schedule an appointment after the opening, contact the Curator, Gregory Mills at (212) 749-5298

Tuesday, June 7, 2011

Rihanna's 'Man Down' Video: Experts Weigh In On Controversy


By Gil Kaufman

Like any good piece of art, Rihanna's controversial "Man Down" video has elicited a wide variety of opinions, running the gamut from condemnation for its bloodshed to praise for its attempt to grapple with the complex issue of violence against women

"It strikes me first and foremost that she is working out personal issues through her art," said Terry O'Neill, national president of the National Organization for Women, who lauded the singer's talent and stressed that she did not find the video exploitive at all.

A number of groups slammed the clip after its premiere, taking issue with the opening scene, in which a hidden Rihanna is shown shooting an unarmed man in the back of the head in the middle of a crowded train station. Viewers later learn that the act was in retaliation for a previous sexual assault.

" 'Man Down' is an inexcusable, shock-only, shoot-and-kill theme song," said Industry Ears co-founder Paul Porter, a former programming director at BET, where the video debuted earlier this week and remains in rotation.



But O'Neill said that like Rihanna's collaboration with Eminem on the "Love the Way You Lie" video — which also tackled issues of domestic abuse — "Man Down" is another example of Rihanna "trying to grapple with the multifaceted nature of violence against women as an artist. Obviously violence is not the way to solve anything and both videos depict violence. In one, it's a man who feels justified in committing violence against a woman and in the other a woman who feels instantly very remorseful in her killing." For O'Neill, "Man Down" does not cross the line into portraying violence in an effort to titillate.

"One of the main messages it leaves you with is violence breeds more violence and everyone can see that and also detect some problems with that," said Stephanie Nilva, Executive Director of Day One, New York's leading teen relationship abuse-focused organization. "I respect the fact that Rihanna is trying to draw attention to these issues, but I don't think viewers are necessarily getting healthy messages from it."

Another concern for Nilva, given the implied sexual abuse in the clip, is the underlying impression that young women who dress a certain way or go dancing in clubs are naive or should feel at risk. That too, she said, sends a muddled message about sexual assault. "What it doesn't do is open up a discussion about how men's violence is frequently about controlling women and not about violence they've experienced at that person's hands," she said.

After posting a defense of the clip, Rihanna got plenty of support from her fans on Twitter, where the comments included such sentiments as "it's really ironic how women r always exploited n videos ... we watch women be raped & murdered. Now a woman flips the coin & look!"

Another fan wrote, "You opened the eyes of all women living under a dark cloud that needed a voice. 'Man Down' is the voice. I love you." Others called it "inspiring" and praised Rihanna for tackling the issue of sexual abuse, writing, " 'Man Down' video portrays REAL situations that can happen to ANYONE! Do yoo thing ri!" Rihanna also pleaded with her fans to stop making threats against members of the PTC, writing, "We love it, they don't ... that is all, and the world keeps turning."

Given the message of empowerment some of Rihanna's fans appear to have taken from the video, Nilva noted that one of the messages Day One imparts to young people is that violence is never appropriate. "I wouldn't say that perpetrating violence against someone is a form of empowerment, just like you wouldn't say a man raping a woman is a form of empowerment," she said. "It's a complicated message to get young people to absorb that — what it means to be an empowered person — and it would be nice to see more images of strength that are not about exercising violence or power over other people."

As a survivor of relationship violence at the hands of her ex, Chris Brown, Nilva said the singer is clearly under the microscope when it comes to this topic. But given that people are likely to pay more attention to what she has to say about it because of her fame and the notoriety surrounding Brown's 2009 assault, Nilva said it would be preferable to see a more positive message from Rihanna on the topic.

O'Neill said she's confident that Rihanna's fans will understand the message of the clip because any woman who has experienced violence from a partner or acquaintance knows that among the emotions you feel in addition to anger and rage are humiliation and fear and a desire for revenge.

"Many women who have experienced violence, of course, have those feelings and this video seems to be a fictional portrayal of those feelings and is not intended to be instructional," O'Neill said, calling it a kind of catharsis for viewers. "The other aspect that is part of the message is the fact that if you act on your desire to kill this rapist, you will then throw yourself down the rabbit hole of remorse and criminal accountability and be sent to prison. There are repercussions and the video clearly says that."

At press time, MTV's Facebook poll asking whether the video goes too far had the "no" votes leading the "yes" votes by a margin of three-to-one.

Do you think Rihanna's "Man Down" video goes too far? Cast your vote in our Facebook poll and share your thoughts in the comments below.

Tuesday, May 10, 2011

"Hail to McQueen!" Alexander McQueen: Savage Beauty at The MET


Last week I received and e-mail from my big brother Troy. I was so moved by his words on the Alexander McQueen: Savage Beauty collection, I said I must see the exhibit immediately. So, on Saturday my godson Noah and I spent the day at The Met and I must say “Hail to McQueen!”


There is no way back for me now. I am going to take

you on journeys you’ve never dreamed were possible.

—Alexander McQueen


Alexander McQueen: Savage Beauty
Dates: May 4, 2011–July 31, 2011
Location: Iris and B. Gerald Cantor Exhibition Hall, 2nd floor


So my play brother Robert phones me yesterday and invites me to the Alexander McQueen exhibit at the Metropolitan Museum of Art. I said great let’s meet on the steps at 09.30hrs. I fall out of bed, out of sugar so no sugar for my coffee--so only one cup. I get there on time and he’s not there. I phone him and he says, “Didn’t you get my message?” No I did not. By now there is a bee in my beehive despite extra Final Net. Roberts with the fashion house Escada here in NYC, and due to a client meeting could not make our museum get-together. It is raining and like that wet cat named Cat in Breakfast At Tiffany’s, I’m ready to go hide until Audrey Hepburn comes in a taxicab to collect me. At first I say forget it I’m going back home and brood, feeling slightly wilted.


Then, the spirit says to me go in and see the exhibit. Well, I did and let me tell you, my dear friends, I’ve never cried and laughed at anything the way I did this morning. Fashion is not my bag, but that Alexander McQueen was a genius and the show truly has more to do with art than just fashion haute couture. The show is huge, but some things are worth mentioning. It begins with the ostrich feature dress done up to make you holler for mercy. Then there’s the razor clam shell dress. The Jack The Ripper Stalks His Victims collection is an event in cutting that will never be matched by any cutting room floor. The Hieronymus Bosch collection is awesome. Dress Horn of Plenty from the Dante collection had me on my knees. Widows of Culloden collection made me marvel. Then, there’s this white cotton muslin dress spray painted black and yellow, under skirt of white synthetic tulle. The dress is beautiful, but the monitor above the dress plays the fashion show where the model is center stage wearing the dress flanked by two robotic arms, the kind used in automobile manufacturing. The model takes a narrative dramatic pose frightened by the machines, and the robotic arms go to work spray painting the dress in a space-age performance that brings the audience at the actual show to its knees and the audience in the museum exhibit applauding. I cried and then I laughed and then I cried some more at all the over-the-top creations.


The grand finally of the exhibit is Pepper’s Ghost. It is a genuine hologram of supermodel Kate Moss wearing a white dress that is truly indescribable. It is inspired by Edgar Allen Poe’s The Fall of the House of Usher. She’s not wearing the dress, the dress is wearing her as she does this awesome, uniquely haunting movement (dance of the spirit) that captures pure motion. I do not remember seeing her face, only the dress billowing like sea foam. The gallery space is made to resemble the Palace at Versailles but in dramaticized Gothic ambiance. The monitors above each collection of haute couture plays scenes from various fashion shows where you see the clothes in action, but there is no simple models working the runways sweetie, and this is where Alexander McQueen proves his artistic vision goes far beyond fashion. His shows are narrative dramatic Conceptual art where models act or give this Cirque du Soleil kind of performance that is awe-inspiring. Words cannot explain what I saw today, really it goes beyond description. Alexander McQueen’s Savage Beauty will haunt you and set you free. Most important it will make you glad you saw something that is so special you can have faith in the wonders of the imagination.

Let’s keep Robert in our thoughts and prayers as he leaves for his second mission to Haiti this Saturday. Robert, Bon Voyage! And thanks for Alexander McQueen. It’s just what I needed.

Best,

Troy

Monday, March 28, 2011

Body of ART

I always love to have the opportunity to admire someone's art and I really love when the art is displayed on a VERY sexy canvas. Ricardo Muniz is a very talented photographer and artist and his latest video has really been creating quite a buzz on the internet. Take a moment to admire his work and contact him to purchase your very own portrait of these sexy specimens. ABOUT Ricardo Muniz:
"Coquíchulo Images was created to provide artistic support of my own Latino community. I was a social worker and teacher working with people with severe issues for over 15 years. Before I decided to pursue my art—photography, puppetry, and body painting—I devoted myself and my work to help foster creativity and success within communities of color. I will say that my greatest work as an artist has been while working as a teacher. No job molds, shapes, creates, supports, directs, inspires and enables young people more than that of being a good and caring teacher. I made it a point to smile often as a teacher and as a social worker. I make it a point now to have fun while doing a shoot. Laughter goes far. At the end of the day, it’s not just a great shot that makes me smile: it’s looking back at the fun all of us had while creating it. For more information on the artist or the models or to volunteer your nekkid skin as a canvas for a body art project, please contact Ricardo Muñiz at coquichuloimages@yahoo.com. You may also see more of Ricardo’s work at http://ricardomuniz.solomodels.com"

Friday, March 18, 2011

Artists-in-Residence Open Studios Simone Leigh, Kamau Amu Patton, Paul Mpagi Sepuya



Apr 10, 2011 1:00 PM - 6:00 PM
  • You are invited to visit the studios of 2010-11 Studio Museum artists in residence Simone Leigh, Kamau Amu Patton, and Paul Mpagi Sepuya as they prepare for their upcoming summer
    exhibition! This is a rare opportunity to meet the artists and get an advance look at their newest work. Conceived at the formation of the Museum nearly 40 years ago, the Artists-in-Residence Program remains central to the Museum’s mission.


The Artists-in-Residence Open Studios event is free and open to all.

Visit the event page at studiomuseum.org for more information and to RSVP

Wednesday, March 2, 2011

Arts.Advocacy+Wellness: "Besouro" - A Visually Stunning New Brazilian action movie




Besouro



I'm watching the trailer, I'm seeing stunning shades of brown, different shapes, different sizes. I'm noticing faces of anguish, faces of pain, faces of courage, faces of freedom. I'm seeing history, I'm seeing, culture, I'm seeing community, I'm seeing family, I'm seeing war, I'm seeing danger, I'm seeing rupture, I'm seeing escape, I'm seeing freedom, I'm seeing fantasy, I'm seeing art, I'm seeing life....
Mysticism, Hero, Capoeira, Condemble, Hope, Life are the best words to describe this new Brazilian made film entitled
"Besouro" -- "Beetle" in English



“Beetle” tells the “true story” of Besouro, a Capoeira master living in 1920s Brazil. The film’s title comes from the name Besouro Manganga, which is a large and dark species of maybug.
According to legends surrounding the historical figure, Besouro was known to vanish whenever he was faced with an uneven fight. This grew into the myth that Besouro had supernatural powers and could dodge bullets and even turn himself into a beetle to scare his opponents.
More grounded details on Besouro suggest he was a rebellious migrant worker who frequently used his Capoeira skills to get into physical conflicts with landowners and police. He died in 1924 at the age of 27 after suffering stab wounds from a knife.


Ku Huan-chiu serves as action director. His credits include stunt doubling for Jet Li in “The Tai-Chi Master” and “Once upon a time in China and America”, as well as recent AD work on CJ7 and “THE MUMMY: TOMB OF THE DRAGON EMPEROR”, and also “Kill Bill”.




Take a look at the clip. I hope it brings much joy and excitement to you as it did for me.
And have and A.A+Wsome Wednesday.

For more info log on to:



Tune in next Wednesday for more
Arts.Advocacy+Wellness with Cornelius Jones Jr.
Stay connected with me:
FaceBook: Cornelius Jones Jr.
Twitter: CorneliusJonesJ
FaceBook Fan Page: FlagBoy Official Fan Page of the Actor

Friday, March 12, 2010

Kick-Ass: Creating The Comic, Making The Movie

If you're face-pulpingly excited for the arrival of gritty superhero epic Kick-Ass next month, then you can help the wait go by faster with a new art book, crammed with Kick-Ass facts.

In Kick-Ass: Creating The Comic, Making The Movie, out now from Titan Books, Mark Millar takes us inside the process of crafting his super-violent, fucked-up take on superheroes in the real world. If you can get past Millar's typically hyperbolic tone, you'll find his revelations pretty fascinating — including the fact that Dave Lizewski might be Millar's most autobiographical character yet, with his dead mother and struggling single dad. Millar even thought about trying to become a superhero himself, as a teenager. But Dave's actually named after the winner of a contest. Millar also explains how the earliest drafts of Kick-Ass were only about the psychotic Big Daddy and his daughter Hit-Girl, but the story only took shape when he came up with a new main character, Dave. Oh, and you learn first hand why people who see Millar working on his early comic-script drafts think he must be a serial killer plotting a murder spree.




Just as fascinating, and easier to look at, are John Romita Jr.'s early designs for some of the characters in Kick-Ass, including a Big Daddy who looked a bit different:

Director Matthew Vaughn talks about how the studios all loved the idea of Kick-Ass but said no to making it, and explains the process of making such a big film without any studio support.


Also, you learn from the movie's writer Jane Goldman why Big Daddy doesn't swear, and yet his daughter Hit Girl swears like a sailor. (He made her watch a lot of action movies.) There are incredible amounts of detail layered on in this movie's world, and when you look at Romita Jr.'s individual illustrations that became Big Daddy's "villains wall," you realize just how much love went into this thing, and how insane everybody involved with it had to be to make it happen.

Most of all, you just get overwhelmed with the awesomeness of all the art, from storyboards to comic art to movie concept art to finished details that you won't notice in the actual film. The costumes, especially, undergo an epic journey from Millar's early scribbles to the colorful pastiches in the final movie. For people who are interested in the development of superheroes in comics and movies, most of all, this book will be a vital touchstone.


Wednesday, February 10, 2010

Arts.Advocacy+Wellness: "Turn Your Pain into Art: Edition 2""



Edition 2
Art that Heals and Transforms the Soul:
a meeting with Artist and Healing Survivor -
Stanley Carr Jr.
creator of the Art Installation
Emotions



Having suffered from a childhood learning disability and having lost a host of family members due to cancer and diabetes, Artist Stanley Carr, is rising above his personal pain and familial tragedies by turning his experiences into beautiful works of Art for Transformation and Social Change.


"My work is reflective of the emotions, fears and faith I have witnessed firsthand

as these devastating

diseases have made a profound impact on my life."

-Stanley Carr Jr.



Born in 1973, in a small southern New Jersey town Stanley Carr Jr. is one of four siblings. Spending a great deal of

time with his maternal grandmother afforded Stanley the opportunity to learn from the many generations of his extended family. Even though Stanley and Margaret Carr Sr. spent much of their time providing for their family they urged Stanley to create using any medium that was handy. His grandmother would cut up brown paper grocery bags and encouraged Stanley to let his imagination take him beyond his immediate environment.


Creativity and art cannot be hampered by academic labels. In grammar school Stanley was diagnosed with a learning disability and was unable to attend formal art class. This did not obstruct Stanley from using his artistic gifts to decorate walls, books and to the dismay of some of his teachers the occasional desk.


In 1988, a progressive high school art teacher Francis Chauncy saw one of Stanley’s brown bag sketches and urged him to enroll in his art class once he reached high school. Stanley’s course load of extra classes prevented but did not deter Stanley from taking advantage of Mr. Chauncy’s offer. During study hall, gym, lunch and any free time he could spare Stanley would escape to the art room. Stanley was able to hone his skills by watching the other students work and listening to Mr. Chauncy’s critiques.

Holding two jobs in order to work his way through college prevented Stanley from declaring art as a major. But, his loves for the creative process lead him to study and emulated the works of Horace Pippin, Purvis Young, Minnie Evans and Norman Lewis.


Like the abstract painter of the 1960s and 70s Alma Thomas who showed artistic tendency as a child and who’s art was affected by the colors and richness of her early experiences with the rural Georgia landscape, Mr. Carr’s works reflects his early artistic beginnings and the pristine rural setting of the Jersey farm land where is grew up. The vastness of his canvases, the hues and boldness of his pigmentations all reflect the untouched rural Jersey setting of his childhood.


Stanley works in acrylic, oil, and ink. He used both brushes, and his fingers to create his most recent body of work. When asked to describe the driving forces behind his work Stanley wrote the following quote, “I allow my soul to speak the loudest through my hands. The voice that emerges from my fingertips allows me to share the passions that

compel me to emote on canvas”.




DON'T FORGET TO CHECK OUT STANLEY CARR THIS MONDAY FEBRUARY 15 - AT NEW YORK CITY'S FASHION WEEK EXTRAVAGANZA:

EMOTIONS, an art installation by Stanley Carr Jr., stems from two impactful personal issues "Diabetes and Cancer."

The second installation,EMOTIONS II, will premiere during New York Fashion Week -

Monday, Febuary 15th - 8PM at the Union Square Ball Room (27 Union Square West - New York City.)

For more information on Stanley Carr Jr. and his works contact him at: stanleycarrjr@gmail.com or call 1-856-404-8229


Thursday, February 4, 2010

I LOVE NY 4 of 28 Places to Visit


The Brooklyn Museum


Photos courtesy of Kennected




Brooklyn Museum located at 200
Eastern Parkway, in the New York City borough of Brooklyn, is the second-largest art museum in New York City, and one of the largest in the United States.

Arnold L. Lehman is the museum's Director.


One of the premier art institutions in the world, its permanent collection includes more than one-and-a-half million objects, from ancient Egyptian masterpieces to contemporary art, and the art of many other cultures. Housed in a 560,000 square foot (52,000 m²), Beaux-Arts building, approximately 500,000 patrons visit the museum each year.



Located in Central Brooklyn, the museum is a half-hour from midtown
Manhattan and about 15 minutes from downtown Brooklyn. It is served by the Eastern Parkway–Brooklyn Museum
subway station on the IRT Eastern Parkway Line (2 3 4), and the nearby Botanic Garden station of the Franklin Avenue Shuttle.


Opened in 1897, the Brooklyn Museum building is a steel frame structure—built to the standards of classical masonry—designed by the famous architectural firm of McKim, Mead, and White and built by the Carlin Construction Company. Daniel Chester French, the noted sculptor of the Lincoln Memorial, was the sculptor of two allegorical figures, Brooklyn and Manhattan (carved in 1916, and relocated to the museum in 1963), and of the figures on the pediment.




The Brooklyn Museum changed its name to Brooklyn Museum of Art in 1997. On March 12, 2004, the museum announced that it would revert to its previous name.


Tuesday, November 24, 2009

The Artist Leroy Campbell

THE FUTURE IN ART
Simply put, Leroy Campbell is a quintessential artist. His work, created in a variety of mixed media and reflective of the African-American experience, evokes an unexpected range of emotions. He becomes a griot, telling stories of hard work, dignity, love and caring: stories which are at times haunting and painful, yet hopeful and inspiring, and bring to life folks who are proud, god-fearing and self-reliant.

He is best known for his silhouetted elongated figures with long necks. He paints them without eyes or noses; with mouths only, which he says leaves it up to viewers’ interpretation. His work embodies a universal message yet remains an extension of his southern roots. Campbell, born in Charleston, South Carolina, a city particularly rich in African-American history, culture and traditions, is a self-taught artist who began the serious pursuit of his craft in 1984 while living in New York City. As he has grown, so has the intensity of his artistic expression. Artistically, he captures the spirit and flavor of African-American life in the south by employing his rich multi-media collage techniques including a mixed-media of vintage clothing, quilted fabrics, burlap, needles, thread, elements of southern terrain, newspaper and the skillful use of color.

His most recent series “The Newspaper Series” features news print as its most dominant feature. His use of newspaper signifies more than one denotation. On one hand, it represents the Gullah rituals of witchcraft to who by papering the walls of their houses with news print protected them against and rid of curses and dangerous spirits. On the other hand, the newspaper serves as a time capsule, since upon a closer glance the newspaper articles triumphantly detail the palpable, unwavering strength and perseverance of people of African ancestry from slavery to present day.

His newest works interpret present day by his characterization of people painted blue. The color blue emanates an energy that allows us to look beyond and increase our perspective outward. It contains a cool vibration that is helpful to communication. It counteracts chaos or agitation, and provides protection, health, confidence and strength.

I am an artist who believes that art can influence, inspire, and encourage dialogue. I believe art heals, breaks down stereotypes and advocates diversity. My new works proclaim a spirit of universality that will hopefully open the lines of easy communication and promote peace.”– Leroy Campbell

Campbell's artwork is sold to contemporary galleries and collectors internationally. His work is displayed in corporations, universities and private collections. Campbell’s distinctive art has been seen on hit television shows "Martin", "Fresh Prince of Bel Air", "Living Single", "The Jamie Foxx Show", "The Cosby Show", "In the Heat of the Night", and in feature productions like "The First Wives Club" and others.

Monday, November 16, 2009

Dishin' IT with Dwight's Artists of the Month









So with November being ART Month for The FUTURE, I decided to highlight two very talented artist for the month. The first artist I have had the opportunity to chat with is Isaam Houston, who describes himself as "the most creative person i know, i laugh at my own jokes, i love eating cake bater, i cry at movies, i contradict myself, i love myself, im insecure, i smile alot, i masterbate too often, i am an emotional eater, im single, i love janet jackson, im a poet, im the middle child, i love spinach, i analyze myself and others way too much, my mother is friend, my father is a stranger, im passionate, Im an artist and thats me!"

I love ISAAM and would love to go on a date with him because Geminis are so sexy... Check out what he had to say.



1. What is your inspiration behind your art?  My last collection was inspired by the seven stages of grief, following the passing of my cousin, I found myself in a downward spiral. My only solution in healing was diving deep into my work, and through the process of finding peace, hope, answers, and truth, I usually find my work.

2. What was your initial instinct when you decided to produce art professionally?  How scary. The words "starving artist" always came to mind, so for me it had to be about something more than just the money. It had to be about the heart and passion of story telling. I also worried about how my work would be recieved, because here I am pouring my heart into my work, and then having someone judge that can be very intense especially since I come from a friend circle of many talents.

3. How often do you produce work of art?  Im an artist by nature , not by choice....so if I am not painting, I am contributing something else. My life would not be complete if I didnt do so. So to answer your question, pretty often.



4. What is your work space like?  Any empty space, I am partial to my bed. I clear everything off...put on a good cd (yea those still exist) and just go.....or the floor, or the living room...really anywhere, I'm not picky.


5. What other skills do you have that your art contributes to?  I've been in art classes since I was 9, so around 8th grade I started cutting my own hair....to me it was like outlining a picture...just came very natural.

6. Can you be taught to be an artist or is it a skill you are born with?  Honestly my favorite kind of art is childs art.....I usually ask my younger family members to make me something in school...and they are not being trained, they are just putting crayon to paper and going, and I love it.....I think its a skill everyone has but few people spend crafting it. As long as you strive for your personal best and not the next ones....your work is just as good as a picasso.



7. Have you ever used your art in the bedroom?  I've acted( so I've role played), I've danced (so I dropd it) I do spoken word (so sometimes you cant shut me up) and I paint (so I guess the picture I just painted for you is as much as I've done)

8. Who’s work have you admired?  My brother was my first inspiration. He is a dope artist himself. The local graphitti artist. My first art teachers....and just anyone who was doing it....I find joy in watching anyone create. that alone inspires me.

9. What type of emotions do you typical translate through your art?  I like to think raw emotions.  If I havent exposed a part of myself that surprises even myself then I have not accomplished my goal. I've been told that my work and my story telling is very honest and couragious.

10. Have you ever produced work that you have not liked or appreciated?  Yes I have. In my last show...the last painting I did for the set, I was not impressd by, and  I almost did not include it...but at the time...my partner (at the time) loved it....and it touched him, even though it did nothing for me....I put it in the show and it got great response....so yea it happens.

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