Motown Launches Casting Call for Actors to Play Michael Jackson, Stevie Wonder, Marvin Gaye and Smokey Robinson

By Adam Hetrick

Producers of the upcoming Broadway musical Motown are launching a nationwide casting search for African-American actors to portray young versions of Michael Jackson and Stevie Wonder as well as such music legends as Marvin Gaye and Smokey Robinson.

In addition to a previously launched online casting campaign, the creative team has announced open auditions in Detroit, Atlanta, Los Angeles, Chicago and New York City in advance of Motown's Broadway debut this spring at the Lunt-Fontanne Theatre. The musical is based on the life of record mogul Berry Gordy.

The casting breakdown is seeking one actor between the ages of 8 and 11 with a "phenomenal high tenor" voice who can sing and move like Jackson at 10-years-old, during his Jackson 5 days and also portray 11-year-old Stevie Wonder and a pre-teen Gordy himself, described as a "bit of a hustler and bit of a dreamer."

In addition, adult actors are being sought to portray the physical and vocal likenesses of Marvin Gaye and Smokey Robinson. An additional African-American actor with a low bass range (solid low C) and female African-American singers who can cover the songs of Diana Ross are also being sought during these calls.

Auditions will take place in Detroit and New York City on Nov. 3; followed by Los Angeles on Nov. 10; Chicago on Nov. 18; and Atlanta on Dec. 1.
Click here for more information on the auditions. Online submissions are also being accepted.

Gordy, who also authored the book to Motown, is producing the musical along with Tony winner Kevin McCollum (Rent, In the Heights, Avenue Q) and Sony Music CEO Doug Morris. The jukebox musical will begin Broadway previews March 11, 2013, towards an April 14, 2013, opening.

Charles Randolph-Wright will direct Motown, which will be studded with songs made famous by Smokey Robinson and The Miracles, Diana Ross and The Supremes, Marvin Gaye, Stevie Wonder, The Temptations, Michael Jackson and The Jackson Five.

Tony nominee Brandon Victor Dixon (The Color Purple, The Scottsboro Boys) and Valisia LeKae (Ragtime, The Book of Mormon) will co-star as Gordy and Diana Ross, respectively.

The musical promises "a gripping story about the protégés and stars of a uniquely talented musical family who, under Berry Gordy's guidance, began as 'the Sound of Young America' and went on to become some of the greatest superstars of all time."

Arts.Advocacy+Wellness: "Remembering the Honorable Percy Ellis Sutton"

Percy Ellis Sutton

1920-2009

former Tuskegee Airman

Media Mogul

Power Broker

Pioneering Civil Rights Attorney

Last week I had the honor of attending the homegoing service for Mr. Percy Ellis Sutton. The service took place at The Riverside Church, located on New York City's upper west side. People came out in droves to pay respect to the legacy Mr. Percy - "Jimmy" (as his family calls him) left to live on.

Reverend Jesse Jackson offered a personal tribute while Mayor Michael Bloomberg, Council Member Inez Dickins, Congressman Charles B. Rangel, to name few honored Mr. Percy's life with fond and exciting memories. Broadway veteran Melba Moore lended her vocal gifts by singing a selection of Amazing Grace, Stevie Wonder beautifully performed an emotionally exhausting but gentle version of his song As (I'll be Loving You Always), and Reverend Al

Sharpton delivered a radically stirring eulogy, which left me feeling even more inspired to continue to live in my personal journey and purpose as an affirming black gay man fighting for honorable love and respect for the human condition.

Attending Mr. Percy's funeral was completely educational for me. The life this man cultivated and the legacy that is living on is greatness. Although I didn't know him personally, I'm thankful for what he offered to the community because humbly I've been awarded with many of his gifts. Future Fans and A.A+W readers I am blessed this day to say: if you didn't know Mr. Percy, you really did!

Below, I'm leaving you with just a few highlights from his amazing life.

• Organizing and founding member of The New York State Black and Puerto Rican Legislative Caucus in the New York State Assembly
• Participant in the southern Freedom Rides, arrested 14 times and imprisoned at the dreaded Parchment Farm Penitentiary in Mississippi.
• Recipient of the 72nd Springarn Medal from the NAACP in 1987
• Organized the successful effort to have the Apollo Theatre receive NYC landmark designation
• Reopens the Apollo Theatre and operates it as a concert venue, television facility and recreates the tradition of the weekly Wednesday Amateur night show.
• Creator and Executive Producer of the nationally syndicated television show, "It's Showtime at the Apollo".
• Cofounder of the Annual HARLEM WEEK Festival.
• Authorized New York state legislation creating SEEK program at New York City Universities.
• Spearheaded the expansion of the Manhattan race to the five-boroughs; thus, creating the New York City Marathon.
• In 1971 with Clarence B. Jones, Wilbert Tatum and John Edmonds acquired ownership of the New York Amsterdam News.
• With his son Pierre M. Sutton founded the weekly newspaper The New York Courier.
• In 1980, created & operated Amistad DOT Venture Capital, Inc., a MESBIC (Minority Enterprise Small business Investment Corporation), with offices in Washington, DC and New York City.
• In 1993 established Apollo Theatre Records, a record label and recording company.
• Created ACTEL, a joint venture satellite telephone company with operations in Africa.

Think you didn't know Mr. Percy...think again. He rewarded us in so many ways.

In a time when it seems the economy has the best of us, or even when we personally feel either inadequate or unmotivated, this was a man who reinvented himself in so many ways, and inspires me to keep keeping on. From the words of Shakti Gawain, "when old dreams die, new

ones are created." Keep moving on and pushing through your dream, create new ones, or start over again and create a different life.

Have an A.A+Wsome Wednesday.

50th Anniversary of MOTOWN

Black ties and gowns filled a ballroom Saturday in a big-bucks salute to Detroit-style royalty — the King of Motown, the Queen of Soul and the Kid of Rock.

Motown Records founder Berry Gordy, along with Aretha Franklin, Kid Rock and Motown's original kid, Stevie Wonder, came to Motown's original hometown for the Motown 50 Golden Gala. The 50th-anniversary event, which fetched $350 and up for a ticket, was a fundraiser for the Motown Historical Museum. The museum was the original home of Motown Records Corp., which Gordy started with an $800 loan.


The event drew about 750 people and many of the big names and behind-the-scenes people from the label, which moved to Los Angeles in 1972. Detroit's output included scores of hits, including "My Girl" by The Temptations, "The Tears of a Clown" by Smokey Robinson and the Miracles, and "I Heard it Through the Grapevine" by Marvin Gaye."The pleasure is mine to be here," Gordy said during a pre-concert reception. "I'm thrilled I got the nurturing and all of the things Detroit had to offer me. Motown could not have made it in any other city."

Gordy was joined on the red carpet earlier in the evening by local and national celebrities and dignitaries, including Otis Williams of the Temptations, which was on the bill; Claudette Robinson of the Miracles; the Rev. Jesse Jackson; comedian Sinbad, the event's host; and Detroit Mayor and former Detroit Pistons all-star Dave Bing. The musical mingling of classic Motown artists such as Wonder and The Temptations with non-Motown hometown heroes Franklin and Rock reveals the reverence for and relevance of the label.Kid Rock performed with Wonder on the Motown great's songs "Living For The City" and "Superstition," bringing many of the people in the crowd to their feet. The pair called up others for the finale — a funky, extended version of "Signed, Sealed, Delivered, I'm Yours."Before taking the stage, Kid Rock called it a "career milestone." He said his mother, who was out of state, sent him a text message: "Who would have thought when we were partying in our barn, playing all those Motown records when you were a kid that you'd be playing the 50th gala?"

The gala is a regular event for the museum, but it took a higher profile this year to mark the 50th anniversary of the label's founding. Museum CEO Audley Smith said the facility wants to expand to hold thousands of artifacts and memorabilia that can't be displayed because of space, but he stressed the museum will maintain the integrity of the well-known Hitsville USA house on West Grand Boulevard. The gala also included special tributes to Motown alumni who have died, including Michael Jackson. Gordy, at Jackson's memorial service in July, talked about the 10-year-old prodigy he signed, calling him "the greatest entertainer that ever lived."Homecomings are rare these days for Gordy, who lives in California, but bonds remain: His sister, Esther Gordy Edwards, founded the museum now overseen by his great-niece, Robin Terry. He's also a premier sponsor of the gala.

President Barack Obama sent well wishes via videotape. He said Gordy's "music made history" and his record company "captured a truly American sound."Franklin sang a customized birthday ode to Gordy, who turns 80 on Nov. 28."Detroit, we've waited long enough — Berry's come home at last," she sang. Afterward, Franklin ushered Gordy to the stage, saying "he absolutely revolutionized the music industry, single-handedly."

He was presented a crystal plaque, a large cake and a mass serenade of "Happy Birthday."Gordy told the crowd he was inspired by his time spent on a Detroit auto factory floor to make a music company that was like "an assembly line" of talent. "That dream came true." Wonder told The Associated Press after the concert that being a part of Gordy's vision has been a blessing."I'm just very, very happy (for) that dream Berry had — him meeting me, hearing me, seeing me, that he saw fit for me to be a part of that dream that became reality."

A Boy & His Soul Off-Broadway

By Joe Dziemianowicz
NYDailyNews.com

Colman Domingo, who appeared in the hit 'Passing Strange,' in 'A Boy and His Soul,' which he wrote and directed. The sense of smell is the strongest memory trigger.
But the ears are nothing to sniff at. Hearing tunes from vintage records rockets Colman Domingo back to the '70s and '80s, and he takes us with him in his vibrant memoir, "A Boy and His Soul." Domingo who also appeared as a regular on the second season of Logo TV's The Big Gay Sketch Show, produced by Rosie O'Donnell was best known character is his impression of Maya Angelou.

Over the one-man play's 85 minutes, he celebrates a gawky gay kid from not-always-sunny Philadelphia who comes of age, comes out of the closet and comes to see things "with adult eyes." The story is set in motion when Domingo returns to his childhood home, which his folks are selling. A big event for anyone. Flipping through old LPs by the likes of Stevie Wonder, Aretha Franklin and Earth, Wind & Fire in the cluttered basement — neatly realized by designers Rachel Hauck (set) and Marcus Doshi (lights) — memories bubble up faster than you can say betcha by golly, wow.

Domingo's experiences, whether it's his struggles with homosexuality or his mother Edie's mortality, aren't all that extraordinary. What gives the show its unique groove is the star himself and his contagious enthusiasm for the soul, R&B and disco tunes that became the soundtrack to his life. Domingo, who was impressive in "Passing Strange," is commanding and endearing, whether he's acting, singing along to the music (he asks you to, as well) or shaking what his mama (and choreographer Ken Roberson) gave him.

Scheduled now until October 18, performances of A BOY AND HIS SOUL run Tuesdays at 7:00pm; Wednesdays through Fridays at 8:00pm; Saturdays at 3:00pm & 8:00pm and Sundays at 3:00pm at the Vineyard Theatre (108 East 15th Street, NYC). Tickets are $55, and can be purchased either by calling 212-353-0303, or by visiting the Vineyard Theatre website - http://www.vineyardtheatre.org/. Read more: 'Passing Strange,' in 'A Boy and His Soul' by Joe Dziemianowicz