When it comes to creating your own possibilities the talent of Tyler Perry comes to mind. Believing in yourself is a major job on its own and it can cause you to struggle and triumph as you reach out toward the top. With Tyler Perry he has experienced success; however took a long journey to get there which had several pit stops but still landed him as one of the most influential men of color this decade. Being a member of The FUTURE each member has traveled a rocky journey and is still working toward the possibilities that have been created by each them; and now The FUTURE would like to pay tribute to our September honorary member Mr. Tyler Perry as he celebrates the release of another one of his successful films.
Writer, actor, producer, director. Born Emmitt Perry Jr. on September 13, 1969, in New Orleans, Louisiana. Tyler Perry has forged his own way in the entertainment industry, building an empire that consists of successful films, plays, and even a best-selling book. One of four children, he had a difficult childhood, suffering years of abuse at the hands of his carpenter father. He once described his father as a man "whose answer to everything was to beat it out of you."
At one point, Perry even attempted suicide in an effort to escape his difficult situation. At 16, he changed his first name to Tyler to separate himself from his father. Perry dropped out of high school, but he eventually earned a general equivalency diploma, or GED, later. Trying to find his way professionally, he held a series of unfulfilling jobs before discovering his true passion.
Watching an episode of Oprah Winfrey's talk show, Perry was inspired by a comment on the program about how writing about difficult experiences could lead to personal breakthroughs. He started a series of letters to himself, which became the basis for the musical I Know I've Been Changed. While the show tackled such tough subjects as child abuse, it also touched on forgiveness; a theme has remained central in many of his works and reflects his deep connection to his Christian faith. After saving up $12,000, Perry debuted the show—which he directed, produced, and starred in—at an Atlanta theater in 1992. The musical's run lasted only one weekend and drew a measly 30 people to see the show.
Disappointed yet determined, Perry continued to work odd jobs while reworking the show. He staged the show in several other cities, but success still eluded him. Broke, Perry was living out of his car for a time. "Can you imagine a six-foot-five man sleeping in a Geo Metro?" he once told Essence magazine. In 1998, Perry tried one more time to win over theater audiences. He rented out the House of Blues in Atlanta for another production of I Know I've Been Changed. Soon Perry was performing to sell out crowds and the musical was moved to a larger theater. After so many years of hard work, he finally earned critical acclaim as well as commercial success.
For his next project, Perry worked on an adaptation of evangelist T. D. Jakes's book Woman, Thou Art Loosed, which proved to be quite popular. His next effort, however, brought to life his most famous character Madea. The gun-toting, sharp-tongue grandma first appeared in his 2000 play, I Can Do Bad All by Myself. Basing Madea on his mother and several other mature women in his life, Perry played the eccentric character himself wearing drag. She next appeared in Diary of a Mad Black Woman (2001).
Writer, actor, producer, director. Born Emmitt Perry Jr. on September 13, 1969, in New Orleans, Louisiana. Tyler Perry has forged his own way in the entertainment industry, building an empire that consists of successful films, plays, and even a best-selling book. One of four children, he had a difficult childhood, suffering years of abuse at the hands of his carpenter father. He once described his father as a man "whose answer to everything was to beat it out of you."
At one point, Perry even attempted suicide in an effort to escape his difficult situation. At 16, he changed his first name to Tyler to separate himself from his father. Perry dropped out of high school, but he eventually earned a general equivalency diploma, or GED, later. Trying to find his way professionally, he held a series of unfulfilling jobs before discovering his true passion.
Watching an episode of Oprah Winfrey's talk show, Perry was inspired by a comment on the program about how writing about difficult experiences could lead to personal breakthroughs. He started a series of letters to himself, which became the basis for the musical I Know I've Been Changed. While the show tackled such tough subjects as child abuse, it also touched on forgiveness; a theme has remained central in many of his works and reflects his deep connection to his Christian faith. After saving up $12,000, Perry debuted the show—which he directed, produced, and starred in—at an Atlanta theater in 1992. The musical's run lasted only one weekend and drew a measly 30 people to see the show.
Disappointed yet determined, Perry continued to work odd jobs while reworking the show. He staged the show in several other cities, but success still eluded him. Broke, Perry was living out of his car for a time. "Can you imagine a six-foot-five man sleeping in a Geo Metro?" he once told Essence magazine. In 1998, Perry tried one more time to win over theater audiences. He rented out the House of Blues in Atlanta for another production of I Know I've Been Changed. Soon Perry was performing to sell out crowds and the musical was moved to a larger theater. After so many years of hard work, he finally earned critical acclaim as well as commercial success.
For his next project, Perry worked on an adaptation of evangelist T. D. Jakes's book Woman, Thou Art Loosed, which proved to be quite popular. His next effort, however, brought to life his most famous character Madea. The gun-toting, sharp-tongue grandma first appeared in his 2000 play, I Can Do Bad All by Myself. Basing Madea on his mother and several other mature women in his life, Perry played the eccentric character himself wearing drag. She next appeared in Diary of a Mad Black Woman (2001).
